Piano Lessons London Kensington

De Les Feux de l'Amour - Le site Wik'Y&R du projet Y&R.

Piano classes piano lessons London at WKMT - Memorization Method Entire “Recap”

Piano lessons London at WKMT 31.08.2016 - These actions summarize the complete memorization method as discussed by Sebastian Colombo many years back. He learnt it from Maria Rosa Oubinia de Castro, previous pupil of Maestro Vicente Scaramuzza.

This procedure is aimed to improve all the different reminiscences we can use to apprehend the complete content material of a piece: -Photographic memory of the score -Memory of the name of the notes -Memory of the melody -Visual memory of the hands -Muscular memory

Total process… *2 one.We choose the smallest musical unit achievable from the score -usually no more than two bars lengthy- *one two.We begin by playing the RH although we intensely appear at the score and we sing the title of the notes. [photographic memory of the rating + memory of the title of the notes + memory of the melody] 3.We do the same with the LH 4.Then we repeat two and three while we search at our hands [memory of the title of the notes + memory of the melody + visual memory of the fingers] five.Then we repeat 2 and 3 with our eyes closed [memory of the title of the notes + memory of the melody + muscular memory]

Right after we checked up all the memorization of substance for each and every hand, then the simultaneous hand approach starts off.

six.We start by taking part in each arms jointly while seeking at the score and saying the name of the notes on the RH [idem two] seven.We do the same with stating the notes of the LH 8.We repeat six and seven although seeking at our palms [idem4] 9.We repeat 6 and 7 with our eyes closed [idem five]

  • 1 When we grow to be a lot more self-confident about the method we can choose for a longer time and longer passages to improve our researching time. On the other hand, we want to make confident they really do not have way too much details.
  • two a) If the complete process is carried out properly, then we ought to be memorizing not only pitches and rhythm but also approach and expression. 1 of the positive aspects of heading so deep into the particulars is that we can make confident each and every one factor falls in area.

For that explanation, using the selection of which movements we will use to the passage in question has to be produced prior to commence this memorization approach. The same applies to the expression line. We will have to clearly outline the accentuations, crescendi and diminuendi just before trying to start solidifying the edition by adhering to these steps. b) We repeat every stage at least three moments, or as a lot of moments until we obtain excellent benefits.